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Opus 4.5 used its Web Search tool to confirm the issue is expected with fontdue and implemented ab_glyph instead which did fix the curves.

For an instant camera, image quality is also better than most of the other cameras I tested, producing relatively true-to-life photos. Most struggle to capture low-light conditions well, and this one is no exception, but the built-in flash helps. Fujifilm claims the Mini 12 optimizes image quality in both bright and dark environments better than its predecessor, but I didn’t notice much of a difference. The flash — which you can’t disable — is also still overpowering in some instances, resulting in a few overexposed images. Photos actually seemed a little darker and less vivid than before, but selfies captured my features and skin tone more accurately, thanks in part to the small front-facing mirror. The updated lens design also lets you twist into Close-Up Mode to zoom slightly and activate the Parallax Correction features for a more aligned photo. It’s a fun, point-and-shoot-style feature, though aligning photos still takes some practice (as well as some composition guidance from the manual).

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Fujifilm’s $116.99 Instax Mini 41 is the long-awaited follow-up to the Mini 40. The updated model retains the retro design found on the prior model but introduces parallax correction, a feature borrowed from the Instax Mini 12 to help users avoid off-center shots when taking close-ups. It didn’t take long testing the Mini 41 for me to realize it’s simply the Mini 12 for adults. With its black-and-silver body and flatter, squarer edges, the Mini 41 looks sleeker and more stylish. The two cameras are nearly identical, aside from the design, with the same solid photo quality and feature set. Both battery-powered options turn on with a simple twist of the lens, and each comes equipped with a selfie mirror, a close-up mode, and a flash (which cannot be disabled).

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